Miracle of Mariapoch
Among Carpatho-Rusyn Christians, the Weeping Icon of Marijapovch is revered because
it stands for believers as a witness to the protection and intercession of the
Most Holy Mother of God. The icon itself comes from and expresses the life of
the Church in Eastern Europe. Its rich history reflects a deeply rooted faith
in God and a trusting devotion to the Mother of God.
In the northeastern plains of Hungary, in the village of Povch (former Szabolcs
County), stands the Monastery of the Basilian Fathers, with a magnificent
church. Stefan Papp, brother of the pastor of the church in Povch, who
had studied art
in Italy, was engaged by Laszlo Csigri to write an icon of the Mother of
God for the ikonostas. He painted the Virgin Mother on wood holding the
Divine Infant
with a three-petaled tulip in His hand. Unable to pay for the icon, Lorincz
Hurta, a well-to-do parishioner, donated it to the church. In this church
the first
weeping of the icon of the Mother of God took place on November 14, 1696
according to the Julian calendar. The same miracle occurred again from
December 8 to 19th
of the same year. Needless to say, this miracle was a great consolation
to the discouraged people of Povch. Ever since the first miraculous weeping,
the village
of Povch has been called Marijapovch (in Hungarian, Mariapocs).
When Leopold I, Emperor of Austria, had been informed of the miraculous
icon, he immediately had it transferred to Vienna. This royal act did
not please
the people of Povch and they very reluctantly parted with the holy icon.
On December 1, 1697, the icon was placed above the tabernacle of the
main altar in St. Stephen’s Basilica in Vienna. During the Second World
War
it was taken
down to the grottoes of the basilica for safe-keeping. After the war
it was placed above a new altar with a baldachin, close to the main
entrance on
the right-hand
side of the basilica.
The carriage transporting the icon was delayed at each post depot on
the route to Vienna by large groups of people, who had gathered to
pay homage
to the icon.
Count Carbelli, a chamberlain of Emperor Leopold I, was so impressed
by the piety and devotion of the crowds that he ordered a Jesuit
Father from
Košice
to come
to Barca, Abauj County, to make a copy of the icon for the church
at Povch. When the icon was completed, the people formed a procession
and carried
the new icon
to Marijapovch.
This second icon of Marijapovch began to shed tears on the first,
second, and third of August in 1715. Devotion to the holy icon
increased and
the church at
Marijapovch became a most renowned place of pilgrimage. Nearly
two centuries passed before the third shedding of tears which took place
in December
1905.